When Chan Marshall sings, "Could we take a walk?" there isn't anyone around who wouldn't want to take a walk with the lovely chanteuse. On her seventh album, "The Greatest," she puts together the greatest album that Cat Power fans have yet to hear. While "The Covers," were melancholy bliss, and "You Are Free," explored the double-edged sword of autonomy, "The Greatest," is Marshall at her twangy best.
The album starts off slowly, with crooning violins complimenting Marshall's sultry swagger. The title song's rudder steers the album in a different direction than her previous work: it presents a more layered sound, thanks to her new recording band. "Living Proof," the next track, is Cat Power happier than she has been in years, or maybe ever. Her notorious stage fright and anxiety melt away with the fading echoes ensconced by major chords and builds as Marshall asks, "do you have your answer?" Whatever Marshall is asking, chances are most fans would say yes. The next few tracks are a bit more melancholy and reminiscent of her older work, thought boosted by a new level of confidence in her talent and artistry. With a powerful accompanying band and record high record contract, she's got the goods to back up the front – transforming her previous façade of performance into a three dimensional powerhouse. On "Empty Shell," one of the best songs on the album, she delves further into the countryside. "I don't love you, and I don't need you," she sings, complete with fade ins and loops that make even the harsh words sound like lemonade on a summer day.
This album will certainly be one of the best of the year – something that can be declared even in January – since it's just that great. Marshall is in her element. This is the album that will mark the transition between a shy kitty and a feral feline. |